| 6th Place | |
|---|---|
| Contestant | The End of Everything by M. John Harrison |
| My Review | Imprecise Peculiarity and Painstaking Banality at The End of Everything |
| Summary | I enjoyed Harrison’s indulgent weirdness at times, but I wondered why he seemed to conceal his freak flag while rambling on ad nauseum about modern suburban settings. |
| Classic Pairing | The Hitchhiker’s Guide to the Galaxy by Douglas Adams |
| Why | Tonally miles apart, but both create apocalyptic futures with aliens who flippantly offer replacements for our core humanity. |
| 5th Place | |
| Contestant | The Things We Never Say by Elizabeth Strout |
| My Review | Elizabeth Strout Tries the Patience of a Saint |
| Summary | Bold in its politics but mild in its artistic ambition. |
| Classic Pairing | Middlemarch by George Eliot |
| Why | Both present their protagonists as everyday saints and use recent political events as backdrops. Both divided readers along generational lines. |
| 4th Place | |
| Contestant | Black Bag by Luke Kennard |
| My Review | Elizabeth Strout Tries the Patience of a Saint |
| Summary | Every hilarious page serves its narrative throughline about bifurcated straight male identity. |
| Classic Pairing | The Double by Fyodor Dostoevsky |
| Why | Kennard’s story begins to realize its surreal potential when Black Bag chases down his Double. The authors both cozy the reader with familiarity before things get weird. |
◆ Timeline
◆ ◆ ◆
Comments
Longform Literary IntersectionsConversational longform literary analysis with wide-ranging allusions and a candid sense of humor.
Subscribe on Substack